{"id":4819,"date":"2023-07-30T11:14:02","date_gmt":"2023-07-30T09:14:02","guid":{"rendered":"https:\/\/fokalizator.me\/?p=4819"},"modified":"2023-07-30T11:47:11","modified_gmt":"2023-07-30T09:47:11","slug":"zivot-u-e-mollu-prvi-cd-beza","status":"publish","type":"post","link":"https:\/\/fokalizator.me\/zivot-u-e-mollu-prvi-cd-beza\/","title":{"rendered":"\u017divot u e-mollu: prvi CD “Be\u017ea”"},"content":{"rendered":"\n

Foto: privatna arhiva<\/em><\/p>\n\n\n\n

Barska izdava\u010dka ku\u0107a \u201cMediteran Multimedia\u201c objavila je CD barskog VIS \u201cBE\u017d\u201d pod nazivom \u201c\u017divot u e-mollu\u201d.<\/p>\n\n\n\n

VIS \u201cBE\u017d\u201d je projekat nastao u cilju o\u010duvanja urbane muzi\u010dke ba\u0161tine Bara, i predstavlja spoj rada tri autora \u2013 Bo\u017eidara Gagovi\u0107a, Edina Dibre i \u017deljka Milovi\u0107a na pjesmama koje su nastale u periodu 1985-1990.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

EP \u201c\u017divot u e-mollu\u201d \u010dini \u0161est pjesama (pet novih i bonus), usnimljenih na akusti\u010dnim instrumentima u novim, bogatijim aran\u017emanima nego \u0161to su bile u izvornim varijantama. Na EP-u su ponu\u0111eni i sa\u010duvani rijetki dokumentarni snimci svirki uz akusti\u010dne gitare na raznim lokacijama u Baru, od Ahmetovog brijega do morske obale, \u0161to je tada bila gotovo pa uobi\u010dajena praksa.<\/p>\n\n\n\n

U nastanku albuma su, pored Gagovi\u0107a, Dibre i Milovi\u0107a, u\u010destvovali i drugi barski muzi\u010dari. Sve aktivnosti u vezi EP \u201c\u017divot u e-mollu\u201d (studio, aran\u017eiranje, produkcija i postprodukcija, \u0161tampanje i objavljivanje CD-a, promocija…) obavljene su u Baru. Realizacija projekta omogu\u0107ena je sredstvima Op\u0161tine Bar nakon Konkursa za raspodjelu nevladinim organizacijama za 2023. godinu.<\/p>\n\n\n\n

Bo\u017eidar Gagovi\u0107 je danas na \u010delu poznate rock grupe \u201cAkademia\u201d, a osamdesetih je svirao u barskim grupama \u201cCarlo V\u201d, \u201cBellmondo\u201d, \u201cPono\u0107ni ritam\u201d i \u201cDon Kihot\u201d. \u017deljko Milovi\u0107 je knji\u017eevnik, publicista i novinar, a osamdesetih je bio vokal barske grupe \u201cThe Acropolyss Band\u201d. Njih dvojica su sara\u0111ivali prvi put u okviru acoustic-post-punk benda \u201cCrni labud\u201d 1988. godine. Edin Dibra je multiinstrumentalista mla\u0111e generacije, snimatelj i producent, a sara\u0111ivao je sa velikim brojem aktuelnih crnogorskih i regionalnih muzi\u010dara.<\/p>\n\n\n\n

Promocija albuma \u0107e se odr\u017eati u sklopu bARS programa \u201cBarskog ljetopisa\u201d, 3. avgusta u \u201cDublin Pubu\u201d, kultnom mjestu alternativne i pop-rock kulture. De\u0161avanje \u0107e obuhvatiti mini koncert VIS \u201cBE\u017d\u201d i gostiju\u201d, te premijeru video spota za numeru \u201cRu\u017ean san\u201d (scenario: \u017deljko Milovi\u0107; snimanje, produkcija, monta\u017ea: Semir Karastanovi\u0107; produkcija: Media Pro).<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Foto: privatna arhiva Barska izdava\u010dka ku\u0107a \u201cMediteran Multimedia\u201c objavila je CD barskog VIS \u201cBE\u017d\u201d pod nazivom \u201c\u017divot u e-mollu\u201d. VIS \u201cBE\u017d\u201d je projekat nastao u cilju o\u010duvanja urbane muzi\u010dke ba\u0161tine Bara, i predstavlja spoj rada tri autora \u2013 Bo\u017eidara Gagovi\u0107a, Edina Dibre i \u017deljka Milovi\u0107a na pjesmama koje su nastale u periodu 1985-1990. EP \u201c\u017divot […]<\/p>\n","protected":false},"author":2,"featured_media":4820,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[154],"tags":[],"_links":{"self":[{"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/posts\/4819"}],"collection":[{"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/comments?post=4819"}],"version-history":[{"count":2,"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/posts\/4819\/revisions"}],"predecessor-version":[{"id":4825,"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/posts\/4819\/revisions\/4825"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/media\/4820"}],"wp:attachment":[{"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/media?parent=4819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/categories?post=4819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fokalizator.me\/wp-json\/wp\/v2\/tags?post=4819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}